Posts tagged david foster wallace
I read David Foster Wallace’s short story “The Depressed Person” about a week after I withdrew from study abroad. The story is eight pages in Harper’s (January 1998; you can download the PDF from their website). It took me several hours to finish. It was too hard to read in one go.
When I Googled it later — but why would I ever? — I saw words like “hilarious,” “self-obsessed,” “parody.” Embarrassing: that was not what I’d thought. I can tell now, looking back at the story, how insane it is, but at the time it only felt like Wallace had broken into my brain because it was so incredibly, intensely true for me.
I sent a quotation from the story to a few close friends who had played that “Support System” role. They did not recognize me in it. That was horrifying, because, I (using the royal “we,” I suppose; I don’t want to speak for others) wrote —
It’s really hard to say I identify with this story. It’s dramatic and narcissistic — though the second adjective, I didn’t realize till an article used the word. That girl, though — to everyone except the Support System to whom she seems like an insecure, blabbering narcissist, seems normal and happy. She looks all right. Maybe she’s a little sad, or a little stressed, or a little frazzled, but she’s all right. She might be having a bad week or going through a challenging phase, like the rest of us.
It’s dramatic and narcissistic, but it is no less true. It is no less fucking true. Life like this might seem fine and livable, and that’s part of what makes it so so horrible and hard and horrible and horrible. We hate imposing on you. We hate being different. We hate being sad and miserable. We hate ourselves. We despise ourselves. We mock ourselves.
In a piece for Thought Catalog, Liz Colville writes of how “we long to feel our abnormal is normal” and to feel “less alone, less different, less damaged, less strange.” Wallace’s story did that.
I want art to continue to acknowledge and see the human condition, with depression and everything, everything else. I want everyone, depressed or not, to read, and to grow quiet, under a grave cloud of thought, and to go forward: live with hope.
Last edited by Allison on August 31, 2012 at 8:44 am.
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Fiction’s about what it is to be a fucking human being.
David Foster Wallace
A bit later, he expanded on what he’d since learned: “I gotta tell you, I just think to look across the room and automatically assume that somebody else is less aware than me, or that somehow their interior life is less rich, and complicated, and acutely perceived than mine, makes me not as good a writer. Because that means I’m going to be performing for a faceless audience, instead of trying to have a conversation with a person. […] It’s true that I want very much—I treasure my regular-guyness. I’ve started to think it’s my biggest asset as a writer. Is that I’m pretty much just like everybody else.”
In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what’s human and magical that still live and glow despite the times’ darkness. Really good fiction could have as dark a worldview as it wished, but it’d find a way both to depict this world and to illuminate the possibilities for being alive and human in it.
David Foster Wallace, interviewed by Larry McCaffery
Optimist? Pessimist? Even if things are horrible, life can still be very, very good.
I guess it could be nice to be a bit more of the “hopeful” and a little less of the “realist.” The horrible is what circles in my head; yet I am convinced of the good.
30th Street Station.