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Proclaiming.

What [Adorno and Horkheimer] championed was neither high art or low culture, but art that exposed the contradictions of capitalist society rather than smoothing them over — in short, modernist art.
— Stuart Jeffries in Grand Hotel Abyss

This semester I’ve been thinking a lot about preaching and what it is. It is not primarily art and it’s not all about capitalism and society, but still — exposing the contradictions, crossing high and low; I would be very, very proud to be called a modernist preacher.

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Sight.

Mechtilde of Hackeborn (died 1299) heard these words from the Lord:
“I tell you the truth that I am very pleased when men trustingly expect great things from me. For everyone who believes that I will reward him after this life with more than he deserves, and who correspondingly gives praise and thanks to me in this life, will be so welcome to me thatI will reward him with far more than he could ever believe or boldly hope for, in fact, with endlessly more than he deserves. For it is impossible that someone should not attain what he has believed and hoped. . . . With confident hope you should believe that I will receive you, after your death, as a farther receives his dearest son. . . . I whom am faithfulness itself am incapable of misleading my friends through any sort of deceit.”
As quoted by Hans Urs von Balthasar in Dare We Hope That All Men Be Saved?

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Pessimism.

His great hopes make all the more poignant his clear-eyed picture of the gathering darkness as the Revolution turned slowly into a vast self-inflicted genocide. It was the era when, as a character in his novel Conquered City says, “We have conquered everything, and everything has slipped out of our grasp.”
Adam Rothschild, in his foreword to Victor Serge’s Memoirs of a Revolutionary

I found Victor Serge’s Memoirs of a Revolutionary by accident in December. Loved the foreword, but haven’t read the book yet.

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